Filip Verneert studied at the University of Leuven and at the Jazz Department of Ghent and Brussels with Paolo Radoni. He has attended Master Classes with John Abercrombie (USA), Philip Catherine (Belgium) and Roni Ben-Hur (New York).

Guitarist in Ilse Duyck Group. He has written and performed with Viona Westra in theater productions including "And the Cat Came Back," about apartheid South Africa, and "Nickels for METI 3," about the life of Berthold Brecht.

Filip is the editor and director of the magazine 'Jazz & Mo', the most important jazz magazine in Belgium. He is also director and founder of the 'MuziekMozaïek Folk & Jazz' Association and the director of the Home Cookin' BigBand and the Ghent Youth Jazz Orchestra.

Together with the prestigious Brussels Jazz Orchestra he works with the Youth Jazz Collective that will allow younger musicians to have an opportunity to play in a Big Band, together with different national and foreign directors.

Enrique O. Simón (Madrid, 1975), is a professional pianist, as well as a producer, composer, arranger and musical director. He has studied classical piano, jazz and modern music in Buenos Aires, Valencia, Madrid and Torrevieja. He has a bachelor's degree in Astrophysics from the Complutense University of Madrid and degree in Jazz Piano by Conservatorio Superior de Valencia.

In recent years, he shares his artistic activity as a professor of Jazz Piano and Modern Harmony, at UMH University and at the “Groove In” modern music school in Murcia.

As an artist he has released five albums as a leader under the Music Broker and Youkali Music labels. He has recorded on many others as a guest pianist (Snibor Records, Knockturne Records, etc...), and on many self-productions (Personal Matters by Amadeu Adell, Roy Hubbard, Frank Leadon, Seidagasa...).

The albums recorded in 2015 "Mayan" and "Meeting Patricia" led him to make several tours around Europe (France, Scotland, Germany, Switzerland, Spain, Belgium...).

Gil Lachenal is a double bass player and arranger. He is graduated from the Institute of Los Angeles (USA) and with a Jazz degree in France.

As a teacher, he teaches at the Valence Conservatory, Romans and Jazz Action Valence, in France. He has also been director of the Regional Orchestra JazzRhône-Alpes.

Throughout his career he has worked with Kenny Wheeler, Johnny Griffin, François Jeanneau, Joe Pass, Scott Henderson, Ernie Watts, Antoine Hervé, Rhoda Scott, Louis Winsberg, Georges Arvanitas, Dee Dee Bridgewater, L'orchestre de Contrebasses, Claude Egéa, Benoît Sourisse, Didier Lockwood, Larry Coryell, Nicolas Folmer, and Uri Caine.

It is said that his interpretive form is unique. When he plays, he is one with his instrument, integrating himself into a whole that dances with the music.

Pedro Vázquez is a drummer and a resident of Cieza (Murcia). He studied in Madrid at the Taller de Músicos. He received a scholarship to study Jazz at the Drummers Collective in New York. There he trained with Ian Froman, Marko Djordjevic and Peter Retzlaff at the Drummers Collective.

He has obtained an Official Master's Degree in Musical Research from the UNIR, a Master's Degree in Theory, Education of the Ear and Harmony from the Berklee College of Music and several audio and mixing engineering courses.

He currently combines his work in his own studio (Estudio Bolvax) with live performances with various projects such as FVES Quartet, Minor Trio, Malu Banegas & Minor Trio and Marta Llenas Quintet, among others.

In addition, he has collaborated with flamenco artists such as Abdón Alcaráz, Pilar Andújar, Antonio Gómez, Patxi Valverde and Antonio Peñalver.